Showing posts with label Divination. Show all posts
Showing posts with label Divination. Show all posts

Ogham

A Pacific Northwest Ogham
©2003 by John Michael Greer. All rights reserved.

Because I live in North America, my wilderness is not that of the Irish Iron Age, or the forests and mountains of modern Wales. My wilderness lies on Puget Sound. It shares many things with the wild lands of my European ancestors; wolf and salmon, oak and eagle. But it holds many different things as well. I live with cedars and dog-tooth violets, with banana slugs and stellar jays. I live with the Duwamish river and the mountain called Tahoma. These things have as much to teach us as the rowan or the Shannon or Mount Snowdon. Because they are here, now, they speak more clearly to me and with greater power than places half a world away.

~ Erynn Rowan Laurie, "The Preserving Shrine" (from The Druid Renaissance, ed. Philip Carr-Gomm)

The tree-Ogham as it has come down to us in modern Druid tradition is a creation of the British Isles, and draws on the trees of that region. The Puget Sound area of the Pacific Northwest, where I live and practice Druidry, is nearly a different planet in botanical terms. The complicated natural history of North America's northwest coast, shaped by volcanic fire, glacial ice, and the torrential rains of one of the world's few temperate rain forest environments, has created a unique ecosystem with few parallels in the Old World.

As a result, some of the traditional Ogham species are not native to this region, and many of those that are native have wholly different roles in the local ecosystem. For example, birch, holly and spindle are completely unknown here except where they have been introduced by white settlers, and the Garry oak - our only native oak - is a relatively small, shrubby tree found in a few dry prairie areas, not a mighty lord of the forest like the English oak. If the Ogham tree-alphabet is to be more than an exotic import here, the ancient letters need to find new equivalents among the trees of this very different land.

Many aspects of the Ogham alphabet resist such reworking, since the Ogham uses initial sounds of words as a patterning system for many of its mnemonic and symbolic uses. The trees, however, are an exception even in Old Irish. The names of the Ogham letters, or fews as they're called, are not actually the names of the trees associated with them - thus Beith means not "birch" but "being," and Straif means not "blackthorn" but "sulphur." Thus principles other than alphabetic order may be applied for the creation of a local tree-alphabet.

The process of creating a tree-Ogham appropriate to the Puget Sound country - or any other environment sufficiently different from northwestern Europe -- is not unlike that of translating poetry from one language to another. Inevitably, some meanings are lost, and others are gained which were not present in the original. The tree-Ogham that follows should be considered a first, rather exploratory venture in this direction. If Druidry is relevant to the whole world, though - and I believe that it is - it must be able to put down roots in forests very different from the ones where it originally grew. There must someday be a cactus-Ogham for the Arizona deserts and a jungle-Ogham for the rain forests of northern Australia. Wherever you live, and whatever the trees that grow there, the following notes may be useful as an example of how to ground the Druid mysteries in the deep earth of your own land.




First Series
 
Letter: Beith
Traditional Tree: Birch
Puget SoundTree: Indian plum (Osmaronia cerasiformis)
Indian plum is a small, shrubby tree or bush found along the margins of lowland forests throughout the Puget Sound area. Its new leaves appear before those of any other deciduous tree, and blaze like golden-green flames on the branch tips on sunny days at winter's end.
 
Letter: Luis
Traditional Tree: Rowan
Puget SoundTree: Mountain ash (Sorbus sitchensis)
Closely related to the rowan found in the British Isles, the mountain ash grows up to 20 feet tall, forming dense thickets in the upland forests of the Olympic and Cascade Mountains.
 
Letter: Fearn
Traditional Tree: Alder
Puget SoundTree: Red alder (Alnus rubra)
This is our local species of alder, which can be found growing in thick stands on the edges of forests and in areas that have been logged or burnt over.
 
Letter: Saille
Traditional Tree: Willow
Puget SoundTree: Scouler's willow (Salix scouleriana)
The most common of our many local willow species, Scouler's willow is a lowland tree forming dense thickets along rivers and creeks.
 
Letter: Nuin
Traditional Tree: Ash
Puget SoundTree: Western Red Cedar (Thuja plicata)
This is the great tree of magic in traditional coast Native lore, a towering conifer that can grow two hundred feet high or more - truly the Puget Sound equivalent of Yggdrasil, the Norse "world ash tree." Red cedar flourishes in moist areas and lowland forests. Like ash, it excretes substances into the soil from its roots that prevent other plants from growing there.
 
Second Series
 
Letter: Huath
Traditional Tree: Hawthorn
Puget SoundTree: Western hawthorn (Crataegus douglasii)
This is the local hawthorn species, found up and down the Northwest coast in moist areas and along the edges of cleared ground.
 
Letter: Duir
Traditional Tree: Oak
Puget SoundTree: Douglas Fir (Pseudotsuga menziesii)
This is the monarch of the Puget Sound forests, a soaring conifer that routinely reaches two hundred feet in height. Its wood is the most important source of timber for building in the area. Its seedlings require direct sunlight in order to flourish, thus making it, like oak, a symbol of the bright half of the year.
 
Letter: Tinne
Traditional Tree: Holly
Puget SoundTree: Western hemlock (Tsuga heterophylla)
Another of our major conifer species, western hemlock often reaches one hundred fifty feet in height. Its seedlings thrive in deep shade, and so over time it supplants Douglas Fir in undisturbed forest settings; thus, like holly, it is a symbol of the dark half of the year.
 
Letter: Coll
Traditional Tree: Hazel
Puget SoundTree: Western hazel (Corylus cornuta)
This is the local species of hazel, a common shrub throughout the Puget Sound lowlands and elsewhere in the American West.
 
Letter: Quert
Traditional Tree: Apple
Puget SoundTree: Pacific crabapple (Pyrus diversifolia) or Apple (Pyrus malus)
The apple is not native to our area, and the Pacific crabapple is the only local relative. A case could be made for keeping the apple as the tree for Quert, though, since apple trees have been planted in the Puget Sound country for generations and can be found growing wild in abandoned orchards and farms.
 
Third Series
 
Letter: Muin
Traditional Tree: Vine
Puget SoundTree: Evergreen blackberry (Rubus laciniatus)
The shy native blackberry, not to be confused with the invasive Himalayan blackberry that overwhelms vacant lots with a natural version of barbed wire, produces its sweet dark fruits about the time of the vintage season. It can be found as part of the undergrowth in lowland forests.
 
Letter: Gort
Traditional Tree: Ivy
Puget SoundTree: Kinnikinnick (Arctostaphylos uva-ursi)
While ivy has invaded the region and can be found in urban and suburban areas, the native equivalent is kinnikinnick or bearberry, which is found throughout northern North America, Europe and Asia. A low-growing relative of heather, it has been used for millennia in shamanic rites, just as ivy was used in the shamanistic mysteries of Dionysus.
 
Letter: Ngetal
Traditional Tree: Broom or Fern
Puget SoundTree: Sword fern (Polystichum munitum)
There are more than a dozen local fern species, from the delicate licorice fern to the sprawling bracken, but sword fern is the most common forest species. Its fronds, which can reach four feet in length, carpet the forest floor in old-growth forests all through the region.
 
Letter: Straif
Traditional Tree: Blackthorn
Puget SoundTree: Ocean spray (Holodiscus discolor)
Also called "ironwood," ocean spray is a common shrub with tough wood; the local native tribes used it for spear shafts, arrows, and other weapons. Its common name comes from the foam of tiny white flowers it bears in the spring.
 
Letter: Ruis
Traditional Tree: Elder
Puget SoundTree: Blue elderberry (Sambucus caerulea)
The blue elderberry is closely related to the English elder, and grows throughout the region. Its blue berries were a food source for native tribes, but many other parts of this shrubby tree are poisonous.
 
Fourth Series
 
Letter: Ailm
Traditional Tree: Silver Fir
Puget SoundTree: Silver fir (Abies amabilis)
Though it's not the same species as the silver fir found in the British Isles, our local silver fir looks much the same. It is common at higher elevations throughout the region.
 
Letter: Onn
Traditional Tree: Gorse
Puget SoundTree: Oregon grape (Berberis aquifolia)
While gorse has no close relatives in the Puget Sound country, Oregon grape (which is not actually a grape at all) has spiny leaves, yellow flowers, and a similar role in the local ecosystem. It can be found in dry soils and on forest edges.
 
Letter: Ur
Traditional Tree: Heather
Puget SoundTree: Salal (Gaultheria shallon)
A member of the heather family, with that family's distinctive bell-shaped flowers, salal is a low shrub that forms a constant part of the forest undergrowth. Its berries were prized by the local native peoples.
 
Letter: Eadha
Traditional Tree: Aspen
Puget SoundTree: Black cottonwood (Populus trichocarpa)
Aspenis common in the Rocky Mountain states further east, but doesn't occur naturally on our side of the Cascades. Black cottonwood is its closest Puget Sound relative, a tall deciduous tree with leaves that tremble in every breeze.
 
Letter: Ioho
Traditional Tree: Yew
Puget SoundTree: Western yew (Taxus brevifolia)
This is the local species of yew, with the same red berries and tough wood as its English relative. Local native tribes prized bows made of yew wood just as much as the archers of Agincourt.
 
Fifth Series (Forfedha)
 
Letter: Koad
Traditional "Tree": Grove
Puget SoundTree: Vine maple (Acer circinatum)
Vine maple throws up many small trunks rather than one large one; any one plant is a grove all by itself, and it forms nearly impenetrable groves in the lowland forests.
 
Letter: Oir
Traditional Tree: Spindle
Puget SoundTree: Mock orange (Philadelphus gordonianus)
Like the spindle tree, mock orange is a small, shrubby tree with dense fine-grained wood that was once much used for finely carved objects. Found in shady places at low elevations, it has showy white flowers that look like those of an orange tree - thus its name.
 
Letter: Uilleand
Traditional Tree: Honeysuckle
Puget SoundTree: Snowberry (Symphorocarpus alba)
Though three different species of honeysuckle grow in the Puget Sound area, the snowberry is much more common. A near relative of honeysuckle, it is a tall many-stemmed shrub with sweet-smelling flowers. Its snow-white berries remain on the branches through the winter.
 
Letter: Phagos
Traditional Tree: Beech
Puget Sound Tree: Sitka spruce (Picea sitchensis)
The beech tree has no relatives in the Puget Sound region, but the Sitka spruce shares some of its characteristics, having pale wood that is excellent for carving. The Sitka spruce is a tall, graceful conifer found close to salt water throughout the area.
 
Letter: Mor
Traditional "Tree": Sea
Puget SoundTree: Madrona (Arbutus menziesii)
In some of the old sources, this letter is assigned not to a tree but to the sea, while other versions of the Ogham alphabet assign it to the beech tree. Puget Sound fortunately offers a tree that shares qualities of both. The madrona, a medium-sized tree with leathery leaves, orange berries and bright red-orange bark that peels off in long strips, is rarely found more than a few miles from water, and flourishes best on bluffs overlooking Puget Sound or the sea.
Oct 24th

Beth - Birch
Month: November
Color: White
Class: Peasant
Letter: B
Meaning: New Beginnings; Changes; Purification.


Luis - Rowan
Month: December
Color: Grey and Red
Class: Peasant
Letter: L
Meaning: Controlling your life; Protection against control by others.


Fearn - Alder
Month: January
Color: Crimson
Class: Chieftain
Letter: F, V
Meaning: Help in making choices; spiritual guidance and protection.


Saille - WIllow
Month: February
Color: listed only as bright
Class: Peasant
Letter: S
Meaning: Gaining balance in your life


Nuin - Ash
Month: March
Color: Glass Green
Class: Chieftain
Letter: N
Meaning: Locked into a chain of events; Feeling bound.

 
Huathe - Hawthorne
Month: April
Color: Purple
Class: Peasant
Letter: H
Meaning: Being held back for a period of time


Duir - Oak
Month: May
Color: Black and Dark Brown
Class: Chieftain
Letter: D
Meaning: Security; Strength


Tinne - Holly
Month: June
Color: Dark Grey
Class: Peasant
Letter: T
Meaning: Energy and guidance fro problems to come


Coll - Hazel
Month: July
Color: Brown
Class: Chieftain
Letter: C, K
Meaning: Creative energies for work or projects.


Quert - Apple
Month: None
Color: Green
Class: Shrub
Letter: Q
Meaning: A choice must be made

 
Muin - Vine
Month: August
Color: Variegated
Class: Chieftain
Letter: M
Meaning: Inner development occurring, but take time for relaxation


Gort - Ivy
Month: September
Color: Sky Blue
Class: Chieftain
Letter: G
Meaning: Take time to soul search or you will make a wrong decision.


Ngetal - Reed
Month: October
Color: Grass Green
Class: Shrub
Letter: NG
Meaning: Upsets or surprises


Straif - Blackthorn
Month: None
Color: Purple
Class: Chieftain
Letter: SS, Z, ST
Meaning: Resentment; Confusion; Refusing to see the truth


Ruis - ELder
Month: Makeup days of the thirteenth Moon
Color: Red
Class: Shrub
Letter: R
Meaning: End of a cycle or problem.

 
Ailim - Silver Fir
Month: None
Color: Light Blue
Class: Shrub
Letter: A
Meaning: Learning from past mistakes; Take care in choices.


Ohn - Furze
Month: None
Color: Yellow Gold
Class: Chieftain
Letter: O
Meaning: Information that could change your life


Ur- Heather and Mistletoe
Month: None
Color: Purple
Class: Heather is Peasant; Mistletoe is Chieftain
Letter: U
Meaning: Healing and development on the spiritual level.


Eadha - White Poplar or Aspen
Month: None
Color: Silver White
Class: Shrub
Letter: E
Meaning: Problems; Doubts; Fears.


Ioho - Yew
Month: None
Color: Dark Green
Class: Chieftain
Letter: I, J, Y
Meaning: Complete change in life-direction or attitude.

 
Koad - Grove
Month: None
Color: Many Shades of Green
Class: None
Letter: CH, KH, EA
Meaning: Wisdom gained by seeing past illusions.


Oir - Spindle
Month: None
Color: White
Class: Peasant
Letter: TH, OI
Meaning: Finish obligations and tasks or your life cannot move forward.


Uilleand - Honeysuckle
Month: None
Color: Yellow-white
Class: Peasant
Letter: P, PE, UI
Meaning: Proceed with caution.


Phagos - Beech
Month: None
Color: Orange-brown
Class: Chieftain
Letter: PH, IO
Meaning: New experiences and information coming


Mor - the Sea
Month: None
Color: Blue-green
Class: none
Letter: AE, X, XI
Meaning: Travel

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Pyromancy

There are many ways of using fire as a form of divination. Here are a few - but you can develop your own technique as well!

Fire Gazing
Pyromancy is basically simple fire gazing, divination through analyzing the flames of an object as it burns, or allowing the flames of a burning object to induce an altered state of consciousness. This core method, coupled with intuition and symbolic thought, is often effective, but it should be remembered that, via the laws of magick, specific magickal emphasis can placed upon the object to be used. For instance, in ages past, a replica of an enemy's castle might be constructed and ignited. If it burns quickly and evenly, the battle will be short and the enemy will fall. But if the flames gather at the front of the miniature edifice and it burns slowly, it should be assumed that the fortress is well defended and the battle will be arduous, if undertaken at all. So if you are being pulled in multiple directions (for example have several job offers) and you want to determine which is the prospect that will work out for you and endure, divide a piece of flammable material into as many parts as is needed. Charge each piece with the appropriate energy and cast the material into an open flame. The piece which lasts the longest before being consumed is your best bet. As an interesting footnote, divination through interpreting shadows, specifically those cast by open flames, is called sciomancy. If you're looking for a final note of closure after engaging in pyromancy, this method would provide that desired exclamation point.

Another ancient technique for Fire Gazing that can produce surprising results (I call it Coals Gazing)- Sit before a roaring fire. Ask your question. Gaze into the flames while the fire burns down. Within the flames, or in the sparkling, glowing coals below them, images of the future may appear. Interpret them with symbolic thought. It's best to limit gazing time to about five minutes, but there's no need to check your watch. Allow the images to come to you for an appropriate time.

Burnings (Spodomancy) mirical

Write a question concerning the future on a small piece of paper. Place it face down on a flat, heat-proof surface. Light one corner of the paper with a match. If the entire paper burns, the answer is yes. If only part of the paper is destroyed, the answer is no.

Candles (Lampadomancy)

Lampadomancy is an ancient tradition, the elements of which have spawned a thousand and one tales of adventure and romance. It is divination through the observation of flames specifically from a candle, torch or lamp. This includes lynchomancy, divining the future through studying the flame at the base of the candle's or lamp's wick and the actions of the wick during burning. Ironically, in ancient times, only children could engage in lynchomancy, as their vision and imagination were untouched by incredulity and cynicism (and isn't that the sort of prescience we all long for?). In fact, an early form of lynchomancy, practiced by the Greeks presaged the use of the triangle by ceremonial magickians. Four candles were used. Three were placed in a triangle with the fourth placed in the center. The triangle was believed to attract the proper spirits who would act upon the fourth candle which was the true divinatory tool.
To perform any of the following rites, choose a room not usually subject to winds or drafts. Night is the preferred time, and it's best to lower the lights. Use whits candles except where otherwise indicated.
1. Light a candle and place it in its holder. Sit or stand before it and search for signs from the flame itself and its wick. If the flame seems dim, it may be best to hold off on plans for the time being. An extremely bright flame is a sign of good fortune, but if it quickly grows smaller, the luck will be temporary.
If the flame waves about, bad weather may be coming, or a great change in circumstances is foretold. A spark visible in the wick indicates the imminent arrival of good news. If the flame turns in a circle or seems to form a spiral, danger is forecast. Finally, a halo around the flame indicates an approaching storm.
2. Another method of reading candles involves watching the manner in which the molten wax drips down the candle sides. Place the candle in a holder. Ask a yes or no question while lighting the wick. Watch it for some time. If the wax drips only on the left side, the answer is no. If on the right, yes. If equally on both sides, no response is possible. If no wax drips down, ask again later.
3. A rather unusual form of candle divination involves the remarkable properties of fresh lemon juice. Obtain a clean, non-ball point or felt-tip pen. (The type used for calligraphy). Since neither an ink-filled pen nor a pencil can be used, a sharpened, short stick may be substituted.
Squeeze the juice from a lemon into a small bowl. Lay three, five or seven pieces of paper on a flat surface. Dipping the pen into the lemon juice, (write) a possible future on each piece of paper with the juice; the juice here acts as the ink. Since lemon juice is invisble and difficult to write with, reduce these futures to just a few words. Allow them to dry.
Light a candle. Place the slips of paper into a bowl. Mix them with your left hand, then choose one at random. Hold the chosen piece of paper close enough to the flame to heat it but not enough to burn it. The heat will reveal the future written on the paper as the lemon juice darkens. This will determine the possible future.

Smoke (Capnomancy)

Just as autumn's chill touch is being felt, comes capnomancy, using the patterns of smoke made by the burning of various materials for the purpose of divination. Once the age of the burnt offering had passed (divination using this source of smoke was called extispicy), laurel leaves were a common choice (so common it had a specific label: daphnomancy), as were various herbs and incenses (the use of sacred incenses was specifically referred to as libanomancy) as well as certain tree barks and seeds.
A variation of this method is the Halloween tradition of foretelling the future by placing hazel nuts close to a raging fire and assigning each a name, goal or the like. If the nut exploded, the forecast was good, if it merely smoldered and caught fire, the outlook was poor.

1. One method is known as "smoke reading." Light a candle. Pass a plain white card through the flames three times while asking a question. (do this quickly to avoid setting the card on fire.) Interpret the resulting carbon deposits left on the underside of the card with symbolic thought.
2. There are many older techniques. For example, build a fire outside in a safe place while asking a yes/no question. Watch the smoke. If it rises straight and lightly into the air, a positive answer has been received. If, however, it hangs heavily around the fire, the reverse is true.

Ashes (Spodomancy/Tephromancy)

Collect ashes from dead fires or the fire place. Outside, in a place where the wind usually blows at some time, scatter the ashes to a good depth in a rectagular shape on the ground. While asking your question regarding the future, use a finger to write the word yes in the ashes to the right and no to the left. Leave them undisturbed overnight.
In the morning, study the ashes. If both words are clearly legible, no answer is possible at this time. If one has been erased by animal tracks, the wind or by some other force, the remaining word reveals the answer to your question. If both words are gone, again, no answer has been given.

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Scrying

Scrying is a means of foretelling the future, gazing into the past and interpreting the present by gazing onto a flat still surface. Each practitioner may use something different from which to scry. You can use almost any reflective surface to scry from. If you use a crystal ball make sure it is flawless or the flaws will distort the images you are trying to see.
The best time to scry is during the Full Moon and your scrying tools should be consecrated by moonlight (not sunlight) - and during the Waxing moon.
    The most common media used for scrying are:
Crystal balls, crystals, precious stones, polished quartz, or another transparent body; this is called crystallomancy. Sometimes "crystal gazing" refers specifically to crystallomancy. Crystal balls are also called shew stones. A stone or crystal is also called a seerstone or peepstone. 

Water or another liquid; this is called hydromancy. 

Mirrors; this is called catoptromancy, also known as captromancy, enoptromancy, or mirror gazing. 

Specific objects that have been used for scrying include:
a pool of ink in the hand (Egypt) 
the liver of an animal (tribes of the North-West Indian frontier)
a hole filled with water (Polynesia)
quartz crystals (the Apachesand the Euahlayi tribe of New South Wales)
a smooth slab of polished black stone (the Huille-che of South America)
water in a vessel (Zulus and Siberians)
a crystal (the Incas)
a mirror (classical Greece and the Middle Ages)
a fingernail
a sword-blade
a ring-stone
a glass of sherry
the burning of a poppy flower-bud on hot coals
a flat, polished portion of obsidian
(the above lists are from www.wickipedia.com)

Crystallomancy
Scrying with a Crystal Ball:
Rest the ball on a background of black cloth or paper. (The black background is to help the eye focus on the ball alone). It is best to scry in a temple or your sacred space (as your psychie is most comfortable here in using great power). Also I always suggest working this kind of magick within a circle as you are vulnerable to negative energies while focused on the reading. Have a candle for illumination - but not so that the flame is seen in the ball - so the candle must be close enough to see but not close enough to reflect. Your favorite incense may help you concentrate.

I sit in my circle in front of my crystal ball and imagine my circle filling with the most beautiful white light, until all the space around me is soft and bright. I close my eyes and take several deep breathes forcing my body to relax and my mind to quiet. Slowly, I open my eyed gazing softly (not forcing my eyes to focus on anything in particular) at the crystal ball - trying to keep my mind blank. After a time (anywhere from a couple of minutes to like 15 depending on your skill level at keeping you mind blank) the white misty light will shift from being all around me to being within my Ball. It gradually grows more and more dense. Eventually (again a couple of minutes have past) the White mist thins from within the Ball - leaving behind a scene (like a t.v. or a snow globe) It might vary from black-white to color or be moving-still; it might be from the past, present, future. It is also most likely to be a symbolic scene - meaning it is not the definite representation of what will (has) happened, but a scene I would relate to something that will (has) happened. When I first started I had no control over what was shown or how long the image lasted (generally because I was thinking too much) - but over time I learned to keep my MIND clear but my WILL focused on what I wished to see. So, the images may be slightly erratic at first- Keep a pad and pencil near by and write absently while not taking your eyes off of the ball. You will probably end up with a list like the following: dog, cloud, woman, child, running, grave, etc.

Interpret the list by thinking of the question you had in mind before starting the process. Most of the images listed in the list - dog, child, woman, relate to family. The cloud, grave and running might signify stress or upheaval in the near future. Etc.

Hydromancy 
Using a cup/plate/bowl/pool whatever of water or any other liquid - is very similar and follows the same technique as the Crystal Ball. I started with my Chalice outside during a full moon. The moon reflects slightly off of the water (like the candle to the crystal).

Pyromancy 
Using a fire as your focus. Works best with a bonfire as opposed to a candle as the candle flame is too steady. When the fire has burned down, add a handful of cedar chips. Sit a safe distance from the fire. Cast your circle around the fire. Proceed with the same procedure as above once the fire has burnt mostly to embers

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Tarot

Tarot is an intermediate Divination technique. Its harder than some because there are 78 cards and you need to become familiar with the intricacies of each - Plus the various spreads. But - Tarot is more than a divination - it can be used to reveal hidden issues in your personality or life, guide to answering questions, etc. It essentially can clear the bull to open your eyes based on your question. 
The Tarot Suits

Though each card has its own unique meaning, there are broader patterns and meanings among the cards as well. In this article, I'll explain the significance of the Minor Arcana suits. All the cards within each suit have a common theme between them. These ideas are seen in traditionally designed Tarot cards, but cards that have been reinterpreted my have other themes present for in their suits.

Wands
Many of the cards in this suit pertain to ambitions, goals, and personal achievements. The wands often show challenges, but not necessarily outright obstacles.
Also called staffs, staves, rods, batons (clubs)
Element: Air

Swords
The suit of swords is a harsh one, with most of the cards showing conflict and difficulties. Though some swords are clearly negative, many reflect necessary changes that will lead to success farther down the road once the problems have passed.
Also called knives, blades, daggers (spades)
Element: Fire

Cups
These cards are full of emotion and are often representative of family and relationships (though not always romantic ones). The cups are generally happy or positive cards.
Also called chalices, goblets, vessels (hearts)
Element: Water

Pentacles
All things financial and material are found in this suit. Sometimes they may refer to your business or work life, but could also be talking about personal finances sometimes as well.
Also called coins, discs (diamonds)
Element: Earth

There is a variation to the elemental associations, namely that some schools of thought have wands as fire and swords as air. I will be covering the history of this in another article. I personally find more sense with wands/air and swords/fire, so that is the way I am presenting them.

Reversed Cards

Not everyone agrees with how to deal with reversed cards. That is, cards that are upside-down compared to the rest of the spread. I have a few different ways to handle these cards in a reading, but none are carved in stone. Feel free to make your own interpretations.

The simplest way of reading a reversed card is to interpret the card with the opposite to the regular meaning. For example, the Devil represents bondage to earthly impulses and desires. So a reversed Devil could be read as being released from these things. This is the way I read it - but there is NO right or wrong; you'll find what works for you as you practice.

Another way to look at reversed cards, is that their meanings are obscured, hidden or otherwise not so obvious. Some readers ignore the fact that the card points in a different direction they just interpret the card as if it were right side up.


Reading Tarot
Though it can take a long time before you learn the meanings of all 78 cards, and understand the nuances of your Tarot spread, the actual technique for reading cards is pretty simple. Just follow these basic steps:

1. Shuffle your cards. While you shuffle, concentrate on the issue, project or situation that you are curious about. Don't think about what you want to see, but on the situation itself. Try not to let your hopes or emotions cloud your thoughts. I can't tell you how long you should shuffle, that's something you have to develop a feel for. At least 30 seconds, I suppose.

2. Lay out the cards. Choose a Tarot spread that appeals to you, or one that is tailored to your particular question. The Celtic Cross is the most common Tarot card spread, but with 10 cards, it can be a bit intimidating to a novice. Lay out the cards in the proper order from the top of the pile.

3. Read the cards. This is the hard part. You need to combine the meaning of each card, with the position it holds in the layout. So seeing the Devil in a "past influences" position would have a different meaning than the Devil in a "possible outcome" position. You might want to have a printout of the spread details handy, until you know your spreads by heart. Don't get discouraged if the cards seem to make no sense. Reading Tarot cards is hardly a precise science.

The Spread

The most well-known and classic Tarot spread is the Celtic Cross. It can be a bit overwhelming though, with 10 cards. This is the one I use.

1. Basis (upright, beneath card 2) - The tone of the reading.

2. Crosses - The main or fundamental challenge in the situation.

3. Subconscious - Your true (and possibly unfaced) feelings about the situation.

4. Past - Recent events that are going to have an impact on your current issue.

5. Conscious - Your known feelings about this. Read together with card 3.

6. Future - Something that is going to happen involving this situation, in the near future.

7. Querent - Your general attitude towards the whole situation.

8. Environment - Your surroundings, possibly friends, family, or work relationships.

9. Hopes/Fears - What you are truly hoping for, or are afraid of.

10. Outcome - How the situation will finally play out.

There are many more spreads (each has a different meaning for each position) here's a sample list - as learning the Card explanations is only half the battle, you'll also have to have an understanding of different spreads based on what you're searching for. Here's a few:Decisions Spread (7 cards)Living Tree Tart Spread (9 cards)Build The Tower Spread (7 cards)Elemental Spread (5 cards)Hourglass Tarot Spread (11 cards)Ocean Wave Spread (7 cards)Body Tarot Spread (8 cards)


Improving Your Tarot Skills

It can take time to develop the ability to read the Tarot accurately and effectively. Time and practice are the best ways to improve, but here are some other tips that might help you with your readings.
Learn the cards thoroughly– Having to refer back to a book to figure out the meaning of a card can really ruin the flow of a Tarot reading. Or only knowing a basic one-sentence meaning can limit how you interpret your cards. Get a well-rounded interpretation for each of the 78 cards, and make sure you know your spreads as well.

Develop your own thoughts on the cards– Get away from the book explanations, and think about the images on your cards. What do you they say to you? This isn't supposed to be a substitution for learning the "official" meanings, though some people do read strictly with their own interpretations. Just allow your own instincts to help mold how you see the cards, rather than assuming the traditional meanings are cast in stone.

Read for others– Find friends to read for on a regular basis. While reading for yourself is acceptable for practice, you aren't going to be as accurate (especially as a beginner). As with any skill, practice is the key to success. Take these practice readings seriously, and let your friends know to do the same.

Change decks– If you are really finding that this is not coming very smoothly for you, try a different deck. It may not be practical to actually buy decks, but your local Pagan or New Age shop may have a good selection as well as sample cards for you to browse through. You won't be able to do actually readings this way, but perhaps some other artwork will catch your fancy.

Spend time with your cards– Many people say you should carry your cards with you, or even sleep with them under your pillow. I'm not going to insist that this helps, but it can't hurt. The theory is that by keeping your cards close, they will pick up your own energy and make them work better for you.

Keep a journal– Record all your practice readings, especially if you are reading to predict future events. You might be surprised how something you saw in a reading actually makes more sense after the fact.

For spread meanings you can look to where I got all this info http://www.allinfoabouttarot.com/home.html

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Tasseography- (tea leaf reading)

This is one of the easiest to learn of the Divinitory arts. For best results use loose China Tea, brewed in a pot without a strainer. The tea is poured into a cup without any pattern on the inside 9or you'll go cross-eyed). The subject of the divining should drink the tea but leave sufficient amount in the bottom of the cup to distribute the leaves around the inside (just a small splash left over so when the cup is swirled the tea leaves will adhere to the sides of the cup). They should also focus on the question they are seeking guidance from while drinking. Ask the subject to take hold of the handle of the cup and slowly - 3 times clockwise- rotate the cup (again focusing on the question) - allowing the remains of the tea to spread up the sides tot he rim of the cup. Then the subject should invert the cup completely on its saucer to get rid of the excess.

To interpret the signs requires an understanding of the following list. Also there is a time consideration..The rim of the cup (and close to it) represents the present through the next 2 or 3 weeks. As you move down the sides you are moving further into the future. Until you reach the very bottom of the cup and the very distant future. The handle (starting point) represents the subject - or its symbols represent things that will directly effect the subject. The exact opposite of the handle are symbols that may have a passing effect on the subject.

*If the symbols you can see clearly or really well - than the subject is lucky. The less defined mean they are less decisive and prone to hindrance.
 
*Shapes -
Stars: success;
Triangles:
fortune;
Squares: protection;
Straight Lines: definite plans;
Wavy Lines: uncertainty;
Dotted Lines: a journey;
Numbers: indicate years, months, days, weeks, or hours {Usually in the upper 1/2 of the cup is in terms of hours or days, in the lower 1/2 is in terms of weeks, months, or years.}
The following list is the general interpretation of symbols found in tea leaves. BUT as with most divinitory techniques - rely on your Feeling from the shapes rather then any Set definitions.

Tea Leaf Symbols:

Anchor: end of a journey; safe landing; successful end to a business or personal affair; problems unexpectedly solved.

Arrow:disagreement; antagonism; instructions for a journey; a letter.

Bell: good news; a wedding

Bird: news - good or bad; possible journey; companionship

Boat: travel; end of a friendship

Bottle: celebration; success

Bridge: travel abroad; partnership; introduction to new friends or business

Broom: end of a problem; change of jobs; domesticity

Butterfly:insecurity

Camel: long journey; temporary relocation

Car: local travel; introduction to new business associates

Candle: innovation; sudden new ideas
Castle: legacy; unexpected financial luck; good living

Cat: female friend; domestic problems

Chair: entertainment; relaxation

Church: marriage; serious illness (not death)

Clover: good fortune; unexpected success

Cross: hardship; discomfort; misfortune

Crown: honors; credit; promotion

Cup: love; close friendship; harmony

Dagger:danger; tragedy; business complications

Dog: friendship; companionship

Elephant: advice needed - preferably from an old friend

Fan: indiscretion; disloyalty; infidelity

Flag:defense necessary; warning

Flower: unhappy love affair

Gate: opportunity; possibility of advancement

Gun: trouble; argument; adultery

Hammer: hard work - which will be rewarded

Hand: friendship; help when needed; advice

Harp: contentment; ease

Heart: love or lover; confident

Horse: work

Horseshoes: good luck; start of a new successful enterprise

House: security; authority

Key: opportunity

Kite: exercise caution; think before acting

Knife: treachery; duplicity; misunderstanding

Ladder: advancement; opportunities taken

Man: stranger; visitor; help from an unexpected source

Mushroom: disturbance; complications in business

Palm Tree: a breathing-space; a rest period; temporary relief

Pipe (smokers): thought and concentration ahead; investigate all possibilities

Scissors: quarrel - usually domestic; double-dealing

Snake:an enemy; a personal hurt; a love affair

Tree: goal achieved; comfort; rest

Umbrella: temporary shelter

Wheel: advancement through effort; money

Windmill: big business dealings

(This list is built from Buckland's Complete Book of Witchcraft by Raymond Buckland)

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